This is RSFCO

Pac Bell Pk. 1 
Tour

Pacific Bell Park, San Francisco, California
on Friday November 8th. 2002.

41.000 people big audience will be at the PAC BELL PARK event tonight and even Saturday evening.

 

 

 

Set list:
Brown Sugar - It's Only Rock'n'Roll - Start Me Up -  Don't Stop - You Got Me Rocking - Angie - You Can't Always Get What You Want - Midnight Rambler -  Tumbling Dice -  Slipping Away - Happy - Sympathy For The Devil - Neighbours - Little Red Rooster - Like A Rolling Stone - Gimme Shelter - Honky Tonk Woman - Street Fighting Man -  Jumping Jack Flash - Satisfaction.

 

 

Stones, fans roll with the weather

Mick and the boys defy age, rain to entertain sold-out crowd at Pac Bell Park

November 9, 2002,By JOHN BECK
THE PRESS DEMOCRAT

SAN FRANCISCO -- "Gimme Shelter" may have been an unspoken desire Friday as intermittent rains threatened a die-hard Pac Bell Park crowd, but the Rolling Stones mounted their own "crossfire-hurricane," showering the audience with a downpour of old favorites and timely covers.

"I tell you, you're a really ... great audience for coming out on a night like this," Mick Jagger told the sellout crowd of 38,000.

If there was ever a band to promote Viagra, it's the Rolling Stones, who continue to flaunt more staying power and stamina than possibly any other band in the history of rock 'n' roll. At least a nod in the Guinness Book of World Records would be fitting. At this point, the band is a perpetual rolling feat of nature -- as much about defying age and convention as it is about reworking the blues.

The same intransigent spirit was on full display outside the park as their faithful following of mostly baby boomers seemed to embrace the rain, yelling and jumping in puddles. Arriving in stretch limos, taxis, buses and on foot, rain-weary fans filled all the bars around the waterfront ballpark as scalpers made a bundle hawking tickets.

Jim Bennington, 45, flew in from Los Angeles after seeing the Stones play Tuesday.

"I don't care if they're 90 years old," he said. "If they come to play, I'll be there."

His 19-year-old daughter, Wendy, accompanied him.

"I'm not really that big of a fan," she said. "But if it's something we can get out and do together then I'm all for it. If only the Strokes were opening tonight, then I would have bought the tickets myself."

Mike Sheehan drove from Oakland and bought bleacher seats from a scalper for $100.

"I made the guy hold my hand and follow me to the gate to make sure it wasn't counterfeit," he said.

Nearly every band making the rounds today, even legends like Bob Dylan and Paul McCartney, arrives with new material. Not the Rolling Stones. It's as if they don't need it. They're beyond new material.

A band that started playing upstart fighting man's blues has matured into nostalgic jukebox Geritol blues. But it still packs a punch.

By the third song, "Start Me Up" was almost redundant considering Sir Mick and the boys had already set the tone with a sassy "Brown Sugar" and the sing-along anthem "Only Rock 'n' Roll (But I Like It)."

With Jagger teasing the harmonica, "Midnight Rambler" slowed to molasses blues drip, before building again to its honky-tonk roots.

Dwarfed by a Broadway-sized stage adorned with trademark red lips stretching a pair of underwear, the Stones could have hosted a made-for-TV concert as live images chronicled every move of every member of the band (even the ever sedate drummer Charlie Watts).

At 59, Jagger turned a concert into a track meet, competing only with time as he ran back and forth across the outfield of a stage, stalking a long catwalk into the crowd to strike mocking bad-boy poses.

No singer does more with one hand on his hip than Jagger. Like a mother admonishing naughty children or a 5-year-old playing dress-up in front of a mirror, he flapped and strutted while preening for the crowd.

Still dirty, still lovesick, his vocals held up fine on slower ballads like "Angie" and "You Can't Always Get What You Want."

Every bit the blue-collar working man's guitarist, a perpetually grinning Richards crunched blues chords that seemed to mirror the lines in his face.

In an age when the next new thing is old before puberty, the Stones proved a welcome relic Friday night. It's not new. It's not as bad as it once was, but the sexagenarian millionaires can still get the blood running.

The Rolling Stones return at 7 p.m. today at Pac Bell Park and play Tuesday in the Oakland Arena.

Time is on their side

BY LESLIE KATZ
Of The Examiner Staff

    Whatever the Rolling Stones are on these days, it's working.

    The band looked great and sounded good at a dampened Pacific Bell park on Friday night at the first of three Bay Area shows on its "Forty Licks" tour. (It played at the ballpark again Saturday, and moves to the Oakland Arena for a concert Tuesday night.)

    While Friday's event fell short of the quasi-religious/historic experience that characterized other rock 'n' roll pioneers Paul McCartney and The Who, who toured the Bay Area this year, this greatest hits show nicely encapsulated the band's best known theme: "It's Only Rock 'N Roll." The tune came second in the 20-song set.

    And despite the mind-numbing hype and glitz that accompanied the many Stones tours in recent memory, this show had almost an old-fashioned appeal in its no-nonsense approach. There they were: a baseball field of nearly 40,000 rain-moistened fans, a huge stage with a massive video screen backdrop, and those songs that are beyond famous; they're in your bloodstream. The band is even mixing things up, slightly altering the song lineup for each performance.

    Still, this wasn't the show for diehard fans looking for obscure nuggets, even though the tour includes some stops at smaller venues where the fellas are pulling out some lesser known tunes from their four-decade career.

    Backed by a brass section and background singers, the Stones started up (yes, they played "Start Me Up") their hits and didn't stop (they snuck in one new tune, "Don't Stop") for a little more than two hours.

    They opened with "Brown Sugar," encored with "(I Can't Get No) Satisfaction," and in between were "Angie," "You Can't Always Get What You Want," "You Got Me Rocking," "Midnight Rambler," "Tumbling Dice," "Sympathy for the Devil," "Gimme Shelter," "Jumpin' Jack Flash" and "Street Fighting Man."

    To be honest, none of the renditions was revelatory. But all were solid.

    Though Mick Jagger's vocals bordered on barking, he oversaw the action with his commanding style and interpretive strutting, which, when you haven't seen it live for awhile, looks better than most modern dance.

    Jagger himself looked marvelous, too. His tailor, stylist and personal trainer deserve every penny they're making. Mick's fashion sense rivals Madonna's (he sported an array of smart coatwear throughout the show), not a hair was out of place, and not an ounce of flab could be detected on that well-worked 59-year-old body (projected on a three-story video screen, to boot).

    Guitarist Keith Richards was missing his death-warmed-over look. He took his sunglasses off after the first few tunes, and got his own two songs: the soulful "Slipping Away" and happily, "Happy." Richards shared guitar duties with Ron Wood, who looked amazing in leather pants and a bright blue rain jacket.

    Of course, Charlie Watts' solid drumming held everything together, and he put on a big smile when he was introduced.

    The band members even managed a couple of moments of intimacy, waving and shaking hands with folks in the audience as they walked down a runway to a smaller stage in the middle of the field (didn't the Backstreet Boys do something to this effect last year?) where they performed as mini, up-close-and-personal set featuring "Neighbours," "Little Red Rooster" and Bob Dylan's "Like a Rolling Stone." (The irony of the Dylan lyrics were not lost in connection with this, the world's most publicized rock band.)

    Back at the main stage, the dried-off Sheryl Crow joined Jagger on vocals for a bump-and-grind duet of "Honky Tonk Women." Though the intrepid Crow got drenched during her opening 40-minute set (the rain stopped before the Stones came out), and there certainly was no sun to be soaked up, she was having fun.

    In the end, just about everyone -- the beer-bellied guys, the soccer moms and grandmas, the folks in the rain ponchos, and fans wearing the blue-and-red flickering tongue logo pins, and some younger folks, too -- was having fun.

    It's a lot more than can be said about some of today's shoe-gazing, ice-cool rock acts that, while following in the Stones' footsteps musically, have a thing or two to learn about showmanship. It's comforting that after 40 years, we can still look to the Stones for an emotional rescue.

Forty Licks

The new Forty Licks tour is rolling across the States. Read the reviews here.

Stones Planet
Four times a year we issue our fanzine, STONES PLANET
- the fanzine is done by fans for fans!

Read the reviews from the tour in the common issues and send your stuff to us - all published material will obtain nice prices.