your hip" was the message on a sign one wisecracking Rolling Stones
fan hung from the nosebleed seats at Savvis Center on Friday night, where the
classic rock band performed a two-hour, sold-out show for more than 15,500
fans.
The message implied that, at 62, Mick Jagger and his cohorts, Keith Richards,
Ron Wood and Charlie Watts, might be too old to rock 'n' roll despite their
tour grossing $162 million last year, making it the top tour of 2005 - and in
history.
But make no mistake, the Rolling Stones are still rockin' the house as only
they know how, with a show featuring the greatest hits, loads of funky swagger,
a fantastic stunt or two and the spectacle of seeing these men with crypt
keeper-like faces and bony teen bodies doing their thing better than many
rockers half their age.
Still, is it too much to ask that they might try singing a different tune? The
Rolling Stones have the live thing down pat, and probably see no need to
tinker with what still works on most levels. But while it can't be accused of
showing signs of wear and tear, it could still use some freshening.
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The Stones, including auxiliary players Darryl Jones on bass and Lisa Fischer,
Blondie Chaplin and Bernard Fowler on supporting vocals, opened the 20-song
set with the standard "Jumpin' Jack Flash," backed up by more recent
favorite "You Got Me Rockin" and the classics "She's So
Cold" and "Tumblin' Dice." New songs "Rough Justice"
and "Rain Fall Down" slid right in alongside classics without
missing a beat (though sportscaster Greg Gumbel, who had a floor seat, found
the latter the perfect time for a concession stand break).
The night moved along rapidly, with more hits ("Satisfaction,"
"Brown Sugar," "You Can't Always Get What You Want" and
"Sympathy for the Devil," which remains one of the coolest songs
ever) and new songs (last year's "A Bigger Bang" is really worth a
listen). Jagger adopted a weird falsetto while seated at the keyboards for
"Worried About You," and dug deep into the bluesy romps that were
"Midnight Rambler" and "Night Time is the Right Time."
Though the show didn't feel frills-heavy by Stones' standards, there was one
glorious stunt: A huge chunk of stage lifted up and glided across the center
of the arena floor, carrying the band with it to the rear end of the arena
where a new stage was mounted for "Miss You," "Start Me
Up," "Get Off My Cloud" and "Honky Tonk Woman."
Still, in the end, it all felt like business as usual.
They can do whatever they want on tour, so why not (as has been stated in this
space previously) try an all-blues tour, or perform classic albums in their
entirety? Wouldn't it be glorious if the Stones mounted a tour with folks like
B.B. King and Chuck Berry, and the three acts performed their hits and each
others' hits in various combinations? The tour possibilities are endless.
Mildly overwhelmed band Soulive opened with the words "you've definitely
figured out who we aren't," which for surely all the fans in the house
was easier than figuring out who they were. The soul-jazz, mostly instrumental
band delivered upon a number of vintage-sounding, James Brown-inspired riffs
that occasionally dipped into acid jazz. Singer Reggie Watts added vocals to
songs such as "What Can You Do" from the band's "Breakout"
CD and covers of "Come Together" and "Tighten Up."

Savvis
Center, St. Louis, MO