The concert at the Wachovia Center last night kicked off with video screens
showing images of a humongous interstellar explosion, as if the creation of the
cosmos and the Rolling Stones were simultaneous.
It sure feels that way. The Stones have been touring every three years or so,
it seems, since at least the Pleistocene era.
"We keep comin' around," a goblinlike Keith Richards croaked before
gargling out "The Worst," one of his two appointed vocal numbers,
along with the new "Infamy."
The latter song was one of a handful off the Stones' new album, A Bigger
Bang, their first in eight years and best in many more. The new stuff held
its own: "Oh No, Not You Again" was lean and mean and "Rough
Justice" appropriately rugged.
But nobody goes to see the Rolling Stones to hear the new stuff. They go to
see Mick Jagger - lithe like a ballet dancer but as leathery as an iguana from
the neck up - sneer and leer, slither and snarl. (They also go to hear him thank
people who had come from "everywhere - places like Morristown" - and
claim he had eaten two cheesesteaks yesterday. Fat chance.)
They go to hear the barbed-wire tangle of Richards' guitar with that of his
trusty sidekick, Ronnie Wood. And they go to admire gray-haired drummer Charlie
Watts, who, recovered from throat cancer, played with as much crisp, swinging
economy as ever.
At the Wachovia - where the Stones are scheduled to play a return engagement
tomorrow - the band served up warhorses such as "Start Me Up," "Honky
Tonky Woman" (which started out rickety but soon righted itself), and a
high-powered "Sympathy for the Devil."
But there were also surprises. Richards' acoustic playing on
"Angie" was a bit ragged, but Jagger - in excellent voice all night -
had the song's bittersweet heartache down cold. Richards' souped-up Chuck Berry
licks fired up hot on the swaggering "Tumbling Dice." Four horn
players and three vocalists were put to winning use on the licentious
"Rocks Off" and a skanking cover of Bob Marley and Peter Tosh's reggae
anthem "Get Up, Stand Up."
Stones stadium shows used to rely on fireworks and props like giant
inflatable women to provide over-the-top spectacle. But at the Wachovia last
night, the only gimmick was a mini-stage that carried the band to the back of
the arena, where they played three songs in closer proximity to their
multigenerational audience and one another.
Sure, they're dinosaurs, and what they do so well has little connection to
what's going on in the rest of the musical universe in 2005. But when they get
on stage, the Stones are still frisky, and flawed, musicians, entertaining their
audience with a catalog that's as essential to the history of rock and roll as
anybody's. It's the band that's the spectacle.